Carved Malachite Snuff Bottle

This is a vintage celluloid rhinestone hair clip. This arch shaped amber color celluloid ponytail clip is covered with small clear rhinestones. Marked JyZ1712 on the clip. Squeeze to...

This is an Arnart Imports long neck porcelain bottle with stopper. This pink background bottle has six medallion screen printed romantic scenes, and is hand decorated with heavy gold...

This is a Limoges trinket box with perfume bottles. Two small cranberry color bottles are set inside of this hand painted roses porcelain box. Th...

This is a hand painted Limoges trinket box with a wine bottle nestled in a basket. The bottle of Beaujolais 1975 is in a picnic basket with a detailed handle. On the bottom is "Limog...

Art glass vase sign: Daum Nancy France. Evidenced by this Daum sculptural colorless blown and hot-shaped lead-crystal heavy vessel vase, the finest irreproducible artistic works in the history of the iconic French decorative-glass maker feature ornamental thick glass applications. Its most in-demand pieces today were made between 1925 and 1935, with very few major ArtDeco-period pieces remaining in private hands and even less without damage. As a significant gift acquired from Don Jacques Daum in 1950, a similarly shaped, constructed and sized circa-1925 vase with "stylized foliage" motif is in the collection of the French Museum of Decorative Arts in Paris as Inventory #36309. A later-produced vase with a similar application-motif at just the rim, but in a "Champagne" bubbled style, is among the photos in the published book about the Leo and Irina Esterkin acquisitions from 1910-1940 titled Daum Art Deco Glass--A Private Collection. On our prime-condition antique vase, applied transparent glass is styled in high relief into a flowing undulating motif that evolved from Daum's Art Nouveau foliage designs. The angular and curvilinear shapes of this vessel epitomize the bold vases, bowls and sculptures for which Daum is best known. Its tiny pencil-etched signature on the side near the bottom reads "Daum (plus the Lorraine-cross symbol) Nancy France", which resembles some published signatures since 1925. Revealing how ahead of its time this particular design was--after WWII in 1945 coinciding with the revitalization of the French glass industry--Daum used...

Louise Nevelson, an American modern sculptor who enhanced found objects throughout the 20th Century, in the 1980s transformed crushed and gilt metal in...

Young British artist (YBA) Philippe Bradshaw (1965-2005) was represented by blue-chip international art galleries when he was the first to reimagine iconic-art images as tapestry-like metal-chain installations in multimedia environments. He is best known for transforming hand-assembled colorful anodized-aluminum links into shimmering semi-transparent layered curtains, whose hanging long strands uniquely amplified the light and sound of his projected camcorder videos and DJ'd music. In Bradshaw's first American exhibition "Disco Damage" in 2001 at NYC's legendary avant-garde art gallery, Deitch Projects, this jewelry-costume sculpture became part of the artist's live-in evolving studio installation. While later celebrating 15 years of art happenings that had occurred at that Soho exhibition space, its gallerist-cum-museum-director Jeffrey Deitch--who was physically scarred during this unforgettable chaotic several-month experience orchestrated by Bradshaw--recounted this show in his retrospective hardcover book "Live The Art". When Bradshaw drowned in the Parisian-river Seine in August 2005 while living the high life of his skyrocketing success in Europe, he left a small body of large installations that is mostly distributed among the world's top private art collections. Notably, the Museum of Contemporary Art in Los Angeles has acquired one of his multimedia works. More recently, another assembly of his chain curtains made a rare public appearance at new modern-art museum, Heidi Horten Collection, during its inaugural exhibition in Vienna. Since winning a major British visual-art prize in 2000 that marked Bradshaw's art-world ascent following fellow Goldsmiths-College YBAs who were close friends, this sculpture evolved from one of his most elaborate jewelry costumes that he created in London while seducing the American who became his girlfriend. Unlike other pieces of jewelry that he made as gifts to participating acquaintances while video taping...

Natural coral pendant in the shape of a starfish, mounted in 18 kt white gold with 0.40 ct diamonds, brilliant cut. Its total weight is 41.8 g. The counter mesh also has some diamond...